melba is an artist who defies genre and convention, crafting music that’s as multidimensional as her creative spirit. Her debut EP, released on the respected underground label Hypercolour, is a bold and genre-blending statement - self-written, produced, and mixed with meticulous care. Drawing inspiration from artists like Lil Uzi Vert and genres ranging from footwork and hyperpop to ambient and deconstructed club, melba sound is both clean and chaotic, polished and raw. Each track stands alone, yet together they form a cohesive reflection of her artistic identity.

The Youth Music NextGen Fund played a pivotal role in bringing this project to life, allowing Melba to take time off from her full-time job and dedicate herself fully to production. The result? A launch party at South London’s Ormside Projects, a packed crowd, and a confidence boost that’s already rippling through her career. 

Melba shares the journey behind the EP, the challenges of balancing creativity with work, and the empowering experience of seeing her music embraced by artists she admires. 

Your debut EP is entirely self-written, produced, and mixed. What inspired the sound and themes of this project?

Yes! Each track has taken some time to finish, but I really want my production to equally be clean and creative. one huge inspiration for me is Lil Uzi Vert, I'm a huge fan and I think their creative direction in production is super original. 

You can hear some of this inspiration in chord progressions used in "angel 777", and also some Lil Uzi and similar samples being pitched up, distorted, chopped up too. 

I wanted each track on the EP to be its own standalone piece, where there was no filler tune, I wanted it to reflect me as an artist in that I don’t want to be just one genre. I'm a gemini midheaven which reflects my LOVE and interest in all things. 

Can you walk us through the journey of your EP project from concept to release?

The first track I made was "on my grind", it was inspired a little from the first track I ever made, "insatiable". I was really happy with the production. Most of the time I spent on "on my grind" was figuring out how to get the mix down right! 

Once I made this, "nitro kart" soon followed, then "blue morpho", then finally, "angel 777".  I knew I wanted this EP to represent all of the music I love. From footwork, hyper pop, jersey club to trap, ambient and deconstructed club. I hope the tunes make sense next to each other, and I guess maybe it’s the arpeggios and melodies in each tune which bring uniformity. But I mainly just wanted to have an EP which represented me and to be something very different to other EPs out there.

melba holds her hands together by her chin. her eyes are traced in a shimmery blue

What was the most challenging part of bringing this project to life - and what was the most rewarding?

The most rewarding was genuinely making these tracks, I'm so happy with them and grateful to contribute to music/express myself this way. 

It is crazy to say but there wasn’t anything particularly super challenging, fate and the universe were really on my side with this one! (Which isn’t always the case). One thing in particular which I’ve found challenging in production and creating in general… is just having the time alongside a full time job. To produce each track took around 6/7 months just purely because I only have some evenings or weekends to work on production. 

Which is why I was super grateful to work only part time for 2 months after saving a while (and having some funding, thank you Youth Music!), which allowed me more time for producing, and it was just a really great feeling. Was genuinely a key in getting this EP finished. 

You released on Hypercolour, a respected underground label. How did that partnership come about?

Yeah!! its pretty sick/surreal. Again this EP felt very natural and just fell into place. I try not to go against things that seem right and choosing the label for this EP was no different. 

I showed the EP to Man Power after discussing a few potential labels and he kindly passed it over the Hypercolour, and they loved it! They were such a great label to work with, genuinely couldn’t fault the whole experience. 

Tell us about the EP launch party - how did you envision it, and what impact do you hope it has?

The EP launch party was my third solo event and I have to say, it was my favourite. Sometimes when I get an idea for how I want something to go, I just have to do anything and everything in my power to try and make it happen. 

I always knew I wanted an EP launch party, however I originally envisioned it in Newcastle. But due to the date I finished the EP and the date it was due to came out, it didn’t really make sense to have it in Newcastle. And contrary to my original belief, I think London needs a club cetera!

It had to be in a DIY venue with a true-underground feel, which attracted a diverse inclusive and welcoming crowd (which there really was). I was super grateful for my lovely friends in London to help me with this process of choosing and organising. I think Ormside is the best venue in London, so to be able to do it here was really surreal. 

I wanted it to reflect my inspiration for the EP which spans a whole range of genres. The line up was made up of artists I love and are extremely multi-dimensional. Aside from the EP, I also just enjoy progression of music morphing into different styles and genres, which I hope people can tell by my sets. 

I can be really doubtful about myself and some of this comes from being northern and working class. So to do an event in London, really packed with the most beautiful and kind crowd celebrating my EP launch. Safe to say, it gave me a confidence boost.

You’ve said this project helped you build confidence and aim higher - how has that shift manifested in your career?

Having an idea and doing it is really hard… However, this EP for me, is exactly the proof i need that it can be done. I knew I wanted to aim for it to be on a big label, and it worked! Not everything does work like that, but its nice when it does.

melba is illuminated in an ethereal blue light; she looks at the camera

What have you learned about the music industry through this process that you didn’t know before?

That it's not as scary as it seems! And if you value your craft and own your sh*t then people will value it as well, it doesn’t matter about metrics. Just love what you create and it will be contagious. 

How do you see this release influencing your visibility and opportunities in the electronic music scene?

I can already see artists that I've looked up to playing my music / supporting it, which is really sick. I also think a lot of people in music really respect Hypercolour, and to release on there gives me a bit more credibility. I think this credibility will really help for future releases and more exposure to scenes maybe I’m not heard in, which also helps with gigs. 

Connect with melba:

Instagram: @melba._

 

Check out melba's new EP below.

 

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